"The Hero's Journey" is the most encompassing of all entries on the soundtrack, combining the various personalities and colours of the soundtrack into a brisk ever-building march. Others such as "Catch the Dragonfly" have a more outward focus with frivolous fiddle parts and scenic ethnic infusions, but are still integral to the overall experience. Some reflect the deep emotions of the character, such as "Back Home" with its fragile and tragic small ensemble performance, or even "Threat" with its fear-provoking dark dissonant soundscapes. As a result, there are plenty of tracks on the soundtrack that are explorative and revealing in some manner. Sawhney created this soundtrack, above all, to portray the journey of Monkey and Trip. Other immersive action works include "Slaveship", which features the brutal orchestral dissonance and chaotic tribal rhythms associated with the avant-garde greats of Jerry Goldsmith's The Planet of the Apes, and "The Battle", a fusion of orchestral, electronic, and rock elements with a great presence on the battlefield. The layering here is characteristic of the approach of an electronic musician, though it is clear that Sawhney nevertheless understands how to orchestrate to produce the boldest sounds. Early in the game, "Rhino Chase" offers a breathtaking backdrop to an intense pursuit Sawhney captures the formidable nature of the mechanised enemy with heavy textures and war cries, while capturing the physical pace and psychological effect of the pursuit with relentless string motifs and pounding ethnic percussion. The score also features the weight of The City of Prague Philharmonic Orchestra in many of the more epic tracks in the soundtrack. It is completely original yet profoundly meaningful music like this that has earned the artist Mercury Award nominations and it is delightful that he is now offering innovations in game music too. Much like Nitin Sawhney's original albums, the music is nevertheless still satisfying on both an emotional and intellectual level on a stand-alone basis. It is a song full of contradictions that can only be truly understood by experiencing the music with the visuals. ![]() However, this is only the beginning and the subsequent "Cloud Surfing" - combining the radiant voice of a boy soprano with hostile electronic components. He somehow manages to create a particularly dark and immersive soundscape by repeating a range of minimalistic electronic fragments and distorting them in a range of ways. On the opening track "The Right to Enslave", Nitin Sawhney immediately reflects his individuality as an experimental electronic musician while capturing the post-apocalyptic setting of the game. The resultant soundtrack was available as a physical release and digital supplement with certain editions of the game and has also been released for independent listening at various music scores. Following a successful collaboration with the developer on Heavenly Sword, British electronic artist and film composer Nitin Sawhney returned to score the music and he took a particularly deep approach. In 2010, Ninja Theory's epic interactive adaptation of the novel Journey to the West was released to universal acclaim.
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